Hence - Sara Al Haddad
22 June 2015
Focusing on dust’s akin relationship to memories, Sara responded to Al Fahidi’s historical shift from being a residential area, established in the late 19th century, to a tourist destination with muse...
View postFocusing on dust’s akin relationship to memories, Sara responded to Al Fahidi’s historical shift from being a residential area, established in the late 19th century, to a tourist destination with muse...
View postThrough an ensemble of wallpaper and objects, Maryam investigates instructional narratives on behavior and etiquette in pedagogical tools, which covered the walls of her classroom as a child. The arti...
View postIn the Open Studios, Sunoj presents a poetic wall drawing, titled zero to the right, which incorporates his unique perspective on the continued journey (or exodus) of migrants from his native Kerala t...
View postNadia’s plaster on burlap series, Sparse No Filter, brings new life to the medium of fresco, which for many may be a practice frozen in time.
View postThe Sitters is a three-channel color video projection with sound, which is Maitha’s unique response to Al Fahidi, where she has been observing people’s behavior and gaze on a daily basis.
View postAhead of Sikka Art Fair and Art Dubai , a documentary exploring the A.i.R programme 2013 is shown to guests at an event also featuring an interactive panel discussion with this year's artists
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